Transdisciplinary Media Designer
Turning movement into narrative.
Twelve projects in immersive, interactive and narrative design.
Chapters
3-act short interactive film
This film replaces words with music, using sounds as an universal language that reflect energy and human connection.
The collage aesthetic brings a world built from fragmented pieces, reassembled into new meaning.
Viewers choose the hero's path at the end of chapter 1 and 2.
Chapters
Interactive & Immersive Film
The interactive project Transformaciones is a 10-minute immersive and interactive audiovisual piece that addresses the contemporary trauma of immigration through a poetic and surreal lens. By transforming the tragic reality of migrants hiding in aircraft landing gear into a myth of "bird-men" inviting the viewer to fly, the project initially constructs a space of freedom and wonder.
However, this illusion shatters as the narrative progresses, revealing that the subjects are falling to their deaths—a fact that is finally anchored by the appearance of a real diary documenting the tragedy.
Interactive Installation · Teamwork
Memory Garden is an interactive installation developed in TouchDesigner that explores the fragility of human recollection through real-time point-cloud particle systems projected onto a physical board. The piece invites visitors to erase nostalgic vignettes through gesture, transforming intangible memory into a physicalized, ephemeral act.
Developed collaboratively within the DIGICREA Master's program at Université Jean Monnet, my contribution spanned conceptual design, identity, and the TouchDesigner pipeline, focusing primarily on interaction design, spatial staging, and the physical artifact itself. I designed the installation furniture, crafted subtle on-boarding cues, and calibrated the sensor/camera placement alongside strategic lighting to ensure reliable hand tracking through a dense plastic diffusion layer. Additionally, I devised the narrative framing—presenting the piece as a speculative device reading neural data via a forehead interface—bridging the gap between the computational system and the participant's physical presence. For me, spatial interaction and tactile connection with the audience are just as vital as the technical and sonic architecture.
Project was developed as part of the Masters in DIGICREA at University of Jean Monnet, Saint-Etienne, by Dilnaz Gabdolla, Maja Zielinska, Bernarda Felicioni, Adrien Duez and Alexandra Grgic.
Immersive Design · Teamwork
An interactive visual and sound environment was designed within a dedicated room, based on the group's concept "The World Itself is Art." The experience was activated through a custom-built button panel, assembled from scratch using buttons, wiring, LED lights, and HTML-coded programming.
The environment featured light boxes that changed in response to the button panel, while a motion sensor detected the viewer's movement, dynamically altering the sound, visuals, and lighting. Additionally, the LED light grid on the ceiling was incorporated into the experience. Part of the wall projections extended onto the floor, enhancing the immersive quality of the space, and mapping techniques were also used to create a seamless and dynamic visual interaction.
Immersive Design · Teamwork · PR5 · 2022
Immersive Design · Teamwork · For VR headsets · PR4 · 2021
Interactive Design · Teamwork · PR3 · 2022
Interactive Design · Teamwork · PR4 · 2022
Interactive Design · Individual work · Live · PR1 · 2022
Immersive Design · Lab 6 · PR3 · 2022
Editorial & Illustration · Ushuaia · 2022
Freelance · Illustration · 2022
I create spaces where physical presence, moving image, and sound collapse into a single living narrative. Driven by a fascination with how stories can be inhabited rather than merely watched, my practice connects digital systems—interactive interfaces, projection mapping, and spatial sound—with the tactile energy of physical environments.
Currently expanding this vision through an Erasmus Mundus Master's across Europe, my research focuses on the future of interactive cinema.
I am particularly drawn to dissolving the screen altogether: merging cinematic dramaturgy with the raw immediacy of theater and live performance, turning the audience from passive observers into active catalysts of the story.
Present
Erasmus Mundus
Scholarship awarded to only 20 artists and researchers worldwide.
Graduated
Universidad Torcuato Di Tella
Immersive visual and sound experiences: web, interactive design, projections, mapping and virtual reality.